In a world where political figures often present a carefully curated image, Andy Burnham's unabashed love for The Smiths offers a fascinating glimpse into the complexities of identity and cultural resonance.
The Smiths Fan Origin Story
Andy Burnham's journey as a Smiths fan is an intriguing one. His passion seems genuine, and his choices, particularly during his leadership bids, reveal a deep connection. The fact that he named three Morrissey songs as his desert island tracks is a bold move, especially considering Morrissey's controversial political leanings.
A Political and Cultural Icon
The Smiths' music is more than just a collection of songs; it's a political statement. Their lyrics paint a picture of a nation in decline, with justice and education systems failing. Yet, their sound is vibrant and defiant, a contrast to the despair their words convey. This complexity is what makes them so captivating and thought-provoking.
The Long 90s and Modernity
Burnham's fandom encapsulates the spirit of the 'long 90s,' a time when modernity alienated not just the truly left behind, but also those who chose to feel left behind. His guitar jam in Kyiv evokes a sense of nostalgia, not just for the 80s, but for the turn of the century, a time of loneliness and paradoxical connection. It was an era of intellectual freedom and experimentation, a spirit that has since been labeled as 'metropolitan elitist.'
Risky Moves and Political Implications
Burnham's decision to distance himself from The Smiths in his mid-20s, fearing association with Level 42 fans, was a risky political move. It highlights the fine line politicians walk between authenticity and strategic appeal. Additionally, Morrissey's political views, particularly his nativist and Islamophobic tendencies, complicate the picture. Burnham's weak address of this rift suggests a desire to maintain his fandom, despite the political implications.
The Cameron Effect
David Cameron's appropriation of The Smiths' 'This Charming Man' on Desert Island Discs was a turning point. It tested the idea of shared alienation to its limits, using a song that contradicts the very essence of alienation. Marr and Morrissey's public disapproval of Cameron's association with their music did little to deter his politics, which exploited the idea of economic alienation for personal gain.
A Fandom That Endures
At 56, Burnham's fandom is a part of his identity, and it seems he embraces it. His recent social media posts and Kyiv jam suggest a continued appreciation for The Smiths. This raises questions about the role of cultural icons in shaping political identities and the complexities of navigating personal passions in the public eye.
Conclusion
Andy Burnham's journey as a Smiths fan offers a unique perspective on the intersection of politics, culture, and personal identity. It's a reminder that behind the talking points and half-answers, there are genuine passions and complexities that shape our leaders and their narratives.
